It’s resurrection time, dickheads. From the fetid bloody
ashes of Swampass and frictionmachine rises the mutant phoenix of PORN AGAIN
CHRISTIANS. That’s right, brothers and sisters. Just when you thought it was
safe to allow your daughters, sisters, mothers, girlfriends and wives back into
the midnight scum-alleys and cum-stained rock clubs of the midwest, I’m here to
tell ya they’re still fair game. Still filthy little sluts for the rock and
roll. Still on their knees, wiping their chins and begging for more. And
they’re gonna get it hard and deep, brothers and sisters. They’re gonna get it
till they weep for joy and pain. Till they’re saved by the sickness, damned by
the gospel of cockrock gone mad. Though this glory train has just started
rolling, that tickle you feel at the rim of your chili-tunnel is no accident.
They’re slipping it in, brothers and sisters. They’re coming to your town to
pillage and destroy. Witness the return of Tommy Rue, former guitar slinger and
voice of Swampass and Spankwagon. He’s sick and tired of waiting for another
rock and roll revival. He’s here to start one right fucking now. Witness Joe
Sanner, former bass-jacker of frictionmachine and Loomis. He’s worked-up a
creamy gallon of repulsive rock and roll rage. And he’s about to squirt.
Witness Jake Pope, former skin-hammer of frictionmachine and Swampass. He’s
barely human these days, the pounding in his skull a psychotic command to killthem. Kill them all. Their influences are the usual
suspects—Stooges, Dolls, MC5, Jesus Lizard, AC/DC, Antiseen---you know the
drill. But that’s just to give you context. Recordings are certainly in the
near future plan of domination, but right now the only way to be saved and
damned is to see them live and full of piss—if you dare. What you will witness
onstage is a soul-rape completely of their own device: a new flavor of full
throttle, cherry-busting, ass-plowing, fuck you up rock and roll. And that,
brothers and sisters, is all that matters in the end. Let us pray.
--Ounce Clark
(Ounce Clark is a music/film/book critic whose opinions have appeared
in The Chicago Reader, Maximum Rock And Roll, Illinois Entertainer,
Asian Cult Cinema, and The Champaign/Urbana Octopus, among others)